The premise of Jaws- a giant, man-eating shark wreaks
havoc on the locals of small town Amity and the numerous tourists visiting for
the 4th of July-could lend one to believe (if knowing nothing else
about Jaws) that this is another cheesy, typical “B” film “monster-movie.” This
is certainly not the case, seeing as how Jaws essentially launched Steven
Spielberg’s career (he was 26 at the time of directing it) and it made him a
household name. Jaws is considered by many to be a masterpiece, and one of the
most noted aspects of the film is how effective the tension and suspense is,
owing greatly to the fact that the shark isn’t revealed until the end of the
film. Was this an ingenious creative
decision by Spielberg? No. It was actually due to technical problems they were
experiencing with the animatronic shark. It was, in a sense, a happy accident,
but does this diminish Spielberg’s credit in directing what some believe is the
greatest movie ever made? It shouldn’t, because Jaws and his following hits have given him the title, in many
peoples’ eyes, the “King of Hollywood.” Spielberg turned the shark issue around
by utilizing underwater shark POV shots in combination with John Williams
infamous score to help instill the fear in the audience and build on the theme
of “the fear of the unknown.” The late
reveal of the shark was not the only great element in the movie, for story and
dialogue, editing, acting, music and sound all come together to make this an
exciting, well crafted film.
One
of the things that makes this such a good film goes down to the blueprint
itself- the script. The dialogue is just really good and the characters are extremely likeable and interesting, and
the actors do a great job bringing them to life and making them believable. The
story is essentially in two parts, with the first being the fight not against
the shark, but the mayor who is greedy and puts tourism sales over the safety
of human lives. He refuses to listen to our hero, sheriff Brody (Roy Schneider)
and fails to see sense when he allows the beaches to remain open. Brody is a
genuinely nice guy and a good sheriff, for he cares about his town’s people and
is determined to protect them. While he is essentially in a battle with the
mayor, the shark continues to fest on the innocent people of Amity and tourists
alike. Eventually the mayor must admit defeat and the real battle against the
shark has begun, where Brody must face his biggest fear (the water) to save his
town. The last 45 minutes of the film we are with Brody, Quint (the sailor
hired to kill the shark, played by Robert Shaw), and Hooper (marine biologist
played by Richard Dreyfuss) aboard Quint’s vessel on their shark hunt. Here we
bear witness to how well these actors play off each other. Although this is a
horror film, Spielberg is smart to include some dark comedy that has left us
with some memorable lines, such as the famous: “You’re going to need a bigger
boat.”
The
technical aspects of Jaws were also
very important in making this film a huge success. The editing is integral to
the tension building, with the juxtaposition of the shark POV shots and famous
theme helping to build suspense. There are also a lot of cuts that are in
unnatural and do not seem to make sense-but they are that way for a reason: to
put the audience on edge. One also can not comment on the editing and
cinematography of Jaws without mentioning the famous “vertigo” shot, which is
successful in capturing Brody’s reaction to the attack and effective at making
the audience uncomfortable.
This
production was not smooth sailing-it faced a lot of issues and Spielberg was
feared he would be taken off the project for going over schedule and budget,
but Spielberg’s choices were for the better and his determination to shoot it
the right way is what helped make the film so great. For example, studios
advised Spielberg not to shoot on the actual sea but he ignored this, despite
all of the logistical problems the ocean proved to provide. Imagine, though, Jaws shot in a studio
tank? The success of the film proved that his choices were the right ones, and thank
goodness for that for the world would have missed classics such as E.T., Jurassic Park, and Indiana
Jones.
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